As a matter of interest as an independent author, with some affection for science fiction … (principally Lois McMaster Bujold’s Vorkosigan series, and once upon a time for Marion Zimmer Bradley’s Darkover series, both of which explored in an interesting and readable way, a whole range of civilizational conceits and technologies with a bearing on what they produced vis-a-viz political organizations, man-woman relations, and alternate societies of the possible future … oh, where was I? Complicated parenthetical sentence again; science fiction. Right-ho, Jeeves – back on track.) … I have been following the current SFWA-bruhaha with the fascinated interest of someone squeezing past a spectacular multi-car pile-upon the Interstate. Not so much – how did this happen, and whose stupid move at high speed impelled the disaster – but how will it impact ordinary commuters in their daily journey, and will everyone walk away from it OK? So far, the answers to that are pretty much that it will only matter to those directly involved (although it will be productive of much temporary pain) and yes – pretty near everyone will walk away. Scared, scarred, P-O’d and harboring enduring grudges, but yes, they will walk away, personally and professionally. Some of these are walking away at speed and being pretty vocal about why.

The crux of the matter in this particular instance, is that the SFWA (Science Fiction & Fantasy Writers of America – hey, what happened to the ampersand and the second F … guess the domain name was already taken or something) – got overtaken by the minions of the politically correct. The SWFA is, or was – a professional association of writers of science fiction and fantasy materiel (traditionally-published writers only, BTW), intended as a kind of support group, to lobby with publishers on behalf of wronged writers, and provide professional services, like health insurance. Sort of like the AARP … only for science fiction and fantasy writers. Alas, it seems that the minions of the politically-correct now appear to insist that to be members in good standing and to be considered for various book awards (and this is the short version) one must write glum and politically-correct bricks of sensitivity, emphasizing obedience to all kinds of shibboleths regarding race, gender, et al. Never mind about writing a cracking good story … the glum gruel of a liberal arts curricula at an expensive university is what the Social Justice Warriors at the SFWA have said we should have, and that readers deserve to get it, good and hard. Through a tube down the nasal passage, apparently, if all else fails. Naturally, being a somewhat cantankerous and creative provider of popular amusement, many of the existing membership has sad ‘no’ and not just no, but ‘no, with bells on.’ It seems from various discussion threads that many of the long-standing, better-selling and more popular creators are bailing out of SFWA, or at least, warning caution.

The organization may survive – or not. From the viewpoint of someone passing by the tangled wreckage on the Interstate, it’s of only academic interest. But I began to meditate on it all – another once-thriving and valued establishment, overtaken by the grand Gramscian march through our social and political establishments. Sure – they have taken them over, but at what cost? Yes, the politically correct, the Social Justice Warriors in every theater and establishment … they HAVE taken them over – and many others besides the SFWA, but at what cost if what they have is just a wrecked and hollow establishment?
So, this leaves me to wonder, whither SFWA? If the popular writers, with an existing or a soon-burgeoning readership leave, what then as far as the future of the organization is concerned? Indeed, what then, o wolves?

What then, of the many institutions, taken over and hollowed out by the Social Justice Warriors, or their Gramscian ilk? Most of them are bigger and more influential, then a little pool of writers perpetrating science fiction and fantasy … and yet they also appear to be ridden by factionalism, if not teetering on the edge then cratering economically. Just a few and from off the top of my head – the Episcopal Church, old-line print publications like Newsweek and Ladies’ Home Journal (and possibly very soon Time Magazine, too), and broadcast networks like CNN and MSNBC. Instapundit often points out how colleges and universities are staggering, and how more and more people who can are choosing to home-school their children. I can just barely remember the last Oscar-nominated movie that I went to see in a theater, (The King’s Speech, BTW) and the TV audience for the Oscars is plummeting also. Mainstream publishing is fragmenting, as independent writers go out on their own, cable television is also fragmenting. Just as the long march through the institutions is nearly complete … the institutions themselves crumble. They are run into the ground, as the audience, consumers, and genuinely creative flee in all directions.

There is talk of a non-ideological organization to replace the SFWA; likely the disaffected refugees from the establishments and organizations listed above (as well as many, many others) will form new associations. Creative destruction at work? I’d like to think so. Discuss.
(cross-posted at

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