16. April 2013 · Comments Off on Rebuilding the Collection · Categories: Geekery, History, Local, Memoir · Tags: , ,

What I Got at the PTA Book Sale

When the house that my parents had built for their retirement retreat burned in a catastrophic brushfire in 2003, they had only about half-an-hour warning, and so there were a good many things they simply did not have time to pack into the car, or even to remember certain items that would have been easy enough – if they had thought of them in that half-hour. One of those items was my mothers’ nearly-complete collection of the run of American Heritage Magazine. She had all but the first two or three years of issue, back when the enterprise was under the supervision of Civil War historian Bruce Catton – Mom had a complete collection of his books, also – as well as the full run of their companion publication, Horizon. I grew up reading American Heritage – of course, I delved into them as soon as I could read, and possibly even before then, as the articles within were all beautifully illustration with contemporary paintings, portrait photographs, lithographs and modern photographs of the relevant relics. Even if I couldn’t grasp the meaning of the bigger words, much less pronounce any of them, I was still intrigued.

Until the late 1970s, the regular issues all had a uniform look; a pale ivory-white cover, matte finish, with an illustration on the front cover to do with the main article and a smaller one, sometimes as a kind of humorous coda on the back cover. The ivory-white yellowed over time, and given heavy reading, the spine usually began to peel away from the rest. In the late 1970s, they flirted with dropping the standard ivory-white cover – now the cover picture spread beyond the formerly conscribed margins and wrapped around the spine. That lasted a year or so, and then it was an edge-to-edge illustration with a black, or sometimes a dark brown spine – the last gasp before it went to paperback, accepted advertising, and looked like just about everything else on the newsstand. The big articles of note seemed to concentrate on the 20th century, which became rather tiresome for Mom, and she had dropped the subscription entirely around the time the house burned, with all the back issues.

But I have begun to reconstruct Mom’s collection, especially my favorites – the issues from the late 1950s, up to when they abandoned the ivory-white covers and went to worshipping strange designer gods. Once a year, my daughter and I head for the massive PTA book sale which is held in a regional school sports and recreational facility; the entire floor of the basketball arena is covered with tables piled with donated books. I head for the Texiana, mostly – and then to the general history; most shoppers head for the novels, kid’s books and YA, so I usually don’t have to get there early and elbow my way to the good stuff. Last year I found about a dozen issues of the old American Heritage, and snapped them up – the wonderful thing about the sale is that the PTA prices to sell; a flat $1 for a hardbound book (even lavish coffee-table books) and 50¢ for a paperback. This year, I found another twenty-five or so, and it’s a darned good thing that I added three shelves to the wall next to my desk; for the printer, and the paper supplies – and now one of them filled with American Heritages. Next year, I’ll have to make up a list of the issues that I have, so as to avoid duplication. But every issue is an old friend; and many of the articles are as sublime as when I first read them.

13. February 2013 · Comments Off on For Valentine’s Day – True Life True Love · Categories: Ain't That America?, History, Literary Good Stuff · Tags: , , , , ,

So not being really a romance writer, and having pretty much washed out of the lists of matrimony personally, I still have managed to write about romance … mostly by pulling in a little bit of inspiration from here and there from real-life couples. For instance, the main romantic couple in my first book, Dr. John and Elizabeth in To Truckee’s Trail were inspired by … you’ll never guess. Robert Browning and Elizabeth Barrett Browning! A married couple, wildly, passionately, crackers-in-love with each other after twelve years of marriage – why not? The romance doesn’t and shouldn’t end at the altar, but it should go on. I rather liked the Victorians, by the way – they weren’t nearly as prudish as they’ve been painted, nor were their emotions quite so stifled. Robert fell in love with her through reading her published poetry – and lest that sound rather stalker-ish, it worked out. They married blissfully, although she was an invalid and several years older than him. They went off to Italy and were more or less happy for the rest of their lives together, just as I imagined Dr. John and Elizabeth to have been. Men and women alike poured out their souls in letters and poetry, and they weren’t ashamed or repressed in the least, especially when it came to a good manly weep or putting down on paper how they really, really felt.

I didn’t particularly have a literary model for the central romance and tragedy in the Adelsverein Trilogy – that between Magda Vogel, the immigrant German girl, and Carl Becker, the former soldier and Ranger. I did think at first that it might be one of those sparkling Beatrice and Benedict-type confections, where they poured witty scorn at each other, and only later realized that they were in love. There did have to be a romance, of course – between the daughter of an immigrant family, and a representative of the country they were coming to – bridging the two worlds, as it were. But I just couldn’t make it work in that way; Magda turned out to be rather humorless and stern, and Carl was just too reserved. I did recycle the Beatrice and Benedict angle for the romance in the third book of the Trilogy; with Peter Vining and Anna Richter. They both had a sense of humor, and were quite aware that their sharp teasing of each other amused the heck out of anyone who had the luck to be in the vicinity.

Another great historical romance happened between two very real people, and which I put into Deep in the Heart; the marriage between Sam Houston and Margaret Lea Houston, which initially horrified her family and dismayed his friends. Some of them gave it six months, tops. He was twice her age, twice and disastrously married before, had a reputation of being a drunk, a rake and a reprobate, and being the hero of Jan Jacinto and the President of an independent Texas just barely made up for all of that. Marry a gently-bred Southern girl barely out of her schoolroom? Everyone confidently predicted disaster – and everyone was wrong. They were devoted to each other. She had a spine of pure steel, unsuspected under those fashionable Victorian furbelows. For the rest of their lives, whenever they were apart – and they were often separated, since Sam Houston spent much time at his official duties as a senator in Washington DC, or campaigning for office – they each wrote a letter a day. Margaret Lea bore and raised a large family of children, made a comfortable home for him whenever he was there to enjoy it, made him stop drinking and eventually to be baptized. His very last words included her name.

And my final real-life romance inspiring a romance between a couple of my characters is that of the painter Charles M. Russell, and his wife, Nancy – who, like Margaret Lea, was very much younger than a husband who had a bit of a reputation. Half his age, a bit prim and self-contained, Nancy also had steel in her spine – and she was a much better marketer and business agent than her carefree cowboy artist husband. C.M. Russell lived for art, and likely would have been no more than locally known as a wrangler-cowhand who had a talent with a paintbrush, but he made a partnership with Nancy, and she put him on a wider artistic scene. And that is the angle for one of the romances in the current book – between a young prospective professional artist, and a woman with a head for business. Because it all isn’t just love – it’s a partnership between a woman and a man, each filling in each other’s lacks and supporting each other in a mutual endeavor called life.
(cross-posted at my book-blog)